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Showing posts from March, 2024

A History of Claremont in 100 Objects: Philco Television-Mary Garner Hirsch Collection

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A History of Claremont in 100 Objects: Philco Television-Mary Garner Hirsch Collection  #3 "Philco Television Cabinet" Artifact Description: Philco Model 50-T1478 Television and cabinet with record player and radio set, part of the Mary Garner Hirsch Collection  This Philco TV cabinet from 1950 is an icon of the Mid-Century American home. As early as the 1960s, most American households had at least one television. The advent of television represented new and evolving forms of entertainment, and of the dissemination of information. In the Garner House, this TV is set in the living room, as it may have been in the late 40s or early 50s. Sitting across from a radio cabinet and below the Garner’s music balcony, three separate eras of entertainment and leisure come together visually to show both technological and cultural progression.  The Garner family's Philco 50-T1478 television cabinet Like the Viewmaster discussed in our previous blog, the television was a new mode for th

A History of Claremont in 100 Objects Blog Series: Viewmaster-Foster Rhodes Jackson Collection

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A History of Claremont in 100 Objects: Viewmaster Lens-Foster Rhodes Jackson Collection #2 "Viewmaster" Artifact Description: A small pair of black Bakelite stereoscopic goggles, with a silver trim sticker labelled, “Pomona Tile MFG. Co.” and a collection of accompanying slides displaying various marketing images of tiles and countertops.  Developed in the 1920s and first unveiled at the New York’s Worlds Fair in 1939, the Viewmaster is perhaps more famous as a children’s toy manufactured by Mattel, but the Viewmaster has a history that extends much further than play. Patented by William Gruber of Portland, the Viewmaster was initially produced by a company called Sawyer’s Photo Services which allowed a viewer to view a set of up to seven 3D images via the stereoscopic effect. By using a set of lenses that worked in tandem, two 2D still images could be projected in a way that would make them appear three-dimensional. In effect the Viewmaster gave an early form of virtual real